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Description
mtb pedal gold Wolf Tooth Waveform PedalsWaveform Pedals are designed for all mountain riding, from XC to downhill. Available in two different sizes, proportionally scaled to provide a supportive platform that's shaped to match the footprint of your shoe. They have a slim, dual concave profile that is 14mm thick at the perimeter and just 12. 5mm thick in the center, cradling your foot for optimal pedal feel. Each side of the pedal has 11 stainless steel rear loading pins for loads of
Waveform Pedals are designed for all-mountain riding, from XC to downhill. Available in two different sizes, proportionally scaled to provide a supportive platform that's shaped to match the footprint of your shoe. They have a slim, dual-concave profile that is 14mm thick at the perimeter and just 12.5mm thick in the center, cradling your foot for optimal pedal feel. Each side of the pedal has 11 stainless steel rear-loading pins for loads of traction. The design also features a large, tapered leading edge to deflect pedal strikes on rough terrain. A custom radial seal protects three fully sealed cartridge bearings for low-friction riding in all conditions.
- Large Platform: 112mm x 106mm
- Proportionally designed platform, shaped to match shoe profile
- Slim, concave profile with large tapered leading edge to deflect pedal strikes
- 3 low friction, fully sealed cartridge bearings and 1 Igus bushing per pedal
- V-ring rotary seal to protect against contamination
- 11 stainless steel, rear-loading pins per side (pins 4.5mm tall), includes 6 extra grip pins
- Fully serviceable with a set of hex keys, no special tools needed
| Item Specifications | |
|---|---|
| Color | Gold |
| Defined Color | Gold |
| Pedal Body Material | Aluminum |
| Pedal Spindle | 9/16" |
| Pedal Type | Platform |
| Spindle Material | 17-4 PH Stainless Steel |
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4.7 ★★★★★
Based on 1506 reviews
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Product Reviews
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001